How to Handle Bad Lighting in Landscape Photography

Landscape Photography  •  Photography Tips

In a recent video, landscape photographer James Popsys took us on an enchanting journey to Keem Bay, a serene spot on the west coast of Ireland. Popsys’ work has always been about the harmony between natural and man-made elements, and his latest adventure provided a stage for this balance to play out in full:

Keem Bay has long been on Popsys’ list of places to photograph. Interestingly, this stunning location was also the backdrop for a hit movie – with a house that plays an integral role in the story (and which is digitally burned down!). Undeterred by the less-than-ideal light on his visit, Popsys had a clear plan – he would visit the spot multiple times to try to capture its full glory.

Popsys, along with his fellow photographer friend Rich, was visiting Ireland on an assignment for the tourism board. They had a week to explore the west coast of Ireland – a trip Popsys had been meaning to take in winter, hoping for the atmospheric mood, massive waves, and storms that the season brings.

The Tools of the Trade

Popsys brought along both his Leica and Sony a7r for this journey. Despite his recent enjoyment of shooting with the Leica, he found himself gravitating towards his Sony camera upon arrival. He reflected on this choice, suggesting that his years of experience with the Sony might have influenced his trust in it to help him achieve the shot he desired.

Discovering New Shots

Popsys wasn’t just after the obvious shots at Keem Bay. Believing that any good photographer should be able to create more than one composition in such a beautiful location, he searched for other perspectives. This included a shot that required a bit of Photoshop manipulation, including the cloning of a lifeguard and a tent. He suggests that using these techniques in a place like this is justified, adding a playful note that if it’s considered “cheating,” then he is fine with it.

The Power of Patience

Popsys’ video not only explored the beauty of Keem Bay but also served as a lesson in patience for photographers. Despite his long-held desire to photograph the area, Popsys found himself facing conditions that didn’t align with his vision. However, rather than viewing this as a disappointment, he saw it as an opportunity for multiple visits and a deeper connection with the place.

He explains that if he achieves a portfolio-quality photo from a place right away, his interest in the location fades almost instantly. This realization has transformed his perception of what it means to connect with a location, teaching him the value of revisiting the same spot multiple times to develop a deeper understanding and relationship with it.

Popsys ended his journey with a philosophical reflection: the pursuit of the perfect photo isn’t meant to be easy, and the challenge is part of what makes photography so rewarding. He views his lack of the ‘perfect shot’ from Keem Bay as the beginning of a long-term relationship with this place, a chance to return and keep exploring the location through his lens.