Articles by Richard Schneider - Page 49 of 79 - PictureCorrect786 articles

Photographing the 4th Dimension: TIME by Jim Goldstein was released recently and delves into the complicated techniques of slow shutter photography, time-lapses, and more. It explores several techniques that will allow you to photograph the 4th dimension and create engaging high-impact imagery. With all the rich information, excellent example imagery (including settings information), and visual aids to explain concepts; I found this eBook to be very helpful and plan to keep it as a reference in the field.

The Canon PowerShot G1 X camera has a bright, large 3.0-inch vari-angle LCD with 922,000 dots of resolution providing photographers with the highest quality available in a point-and-shoot. The inclusion of the Mode Dial on the top of the camera and the Front Dial helps provide more intuitive control of the camera.

We just made an important and exciting upgrade. For all of you visiting us from smartphones and tablets, the site is now tailored to shine on those devices too! Many adjustments have been made so articles can be read easily from any screen size. So wherever you are, our photography tips can be accessed quickly and conveniently. Stay tuned!

The new Nikon D4 digital SLR builds upon the legacy of the proven Nikon flagship D-SLRs before it, engineered to give today’s professional multimedia photographers a new apex of speed and accuracy with unparalleled image quality, low-light capability and Full HD video. The Nikon D4 hosts a multitude of advanced new features and useful functions that deliver speedy performance and amazing image quality for when missing the shot is not an option.

Beautiful time-lapse photography is difficult enough to achieve, but attempting it in HDR (high dynamic range) photography adds another layer of complexity as was done here successfully in France (Normandy & Britany). This means the photographer has to take bracketed photos at different exposure levels for each individual frame, and then post-process those bracketed sets […]

We have officially launched on Google Plus! As this new community grows we hope to do many exciting things in the future such as hangouts (Google’s new social conferencing feature) where photographers from all over the world can video chat on various topics. Receive additional photography tips, join in critical discussions and more by adding us to your circles and clicking our +1 button as we try to get the hang of these exciting new social features.

Why have just one moonset and one sunrise when you can have two of each? This is a 28 hour time-lapse shot from one location captured by Gerald Donovan. It consists of 3359 individual photographs. The entire timelapse was shot on aperture priority and fixed ISO. It’s important to make sure that you set a combination of aperture and ISO that will allow the camera to take shots at the brightest time of day without hitting the camera’s fastest shutter speed limit, and will also not require a shutter speed longer than the timelapse interval when it’s dark. This was shot at f/5.6 and ISO320. Fastest shutter speed was 1/2500, slowest 6 seconds.

There are many behind-the-scenes videos about wedding photographers, but this one takes a very different perspective. Photographer Jaroslav Repta mounted a GoPro video camera to the side of DSLR so viewers could see the camera’s point of view during the wedding. It is very interesting to see how he approaches each angle and he also narrates it to walk us through his techniques. The video shows the footage from his GoPro along with photos of the wedding and more from a typical day in the life of a wedding photographer. Includes an explanation on how he setup a rig in order to mount the video camera

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Vision is Better II – Free the Mind, Free the Camera. Again. by David duChemin was released today and follows the process and thoughts of a professional travel/landscape photographer. It follows his approach on business, thought process on location, equipment considerations, a near deadly fall he took while on assignment and much more. We create our art in the midst of an odd industry trying desperately to sell us new gear – and we rely on this gear, to a greater or lesser degree to do what we do. But relying on it, and being distracted by it are not the same thing.