Articles by Steve Arnold - Page 2 of 3 - PictureCorrect24 articles

3 Tips for Editing Crazy Colors in Photoshop

3 Tips for Editing Crazy Colors in Photoshop

Most of the time we are trying to squeeze more out of our RAW files to make them pop. But occasionally, a sunrise or sunset explodes and our job in editing somehow becomes harder. Here’s an example of one of my OLD edits, where in hindsight, I got a lot wrong! Every adjustment teeters on […]

Continue Reading

Photoshop 101 for Landscape Photographers

Photoshop 101 for Landscape Photographers

Found another resource for all the landscape photographers out there. Do you want to discover the most useful parts of Photoshop for landscapes? There are over 6.5 hours of video tutorials included in this course covering all the most important aspects of Photoshop for editing a landscape. We were able to arrange an exclusive 50% […]

Continue Reading

Photographing Wave Motion at Sunset with Bracketing

Photographing Wave Motion at Sunset with Bracketing

Here’s a shot that contains two of my favorite things when it comes to taking photos. The challenge of shooting directly into the sun. Capturing water in motion Sometimes the weather conditions can help make the first one a little easier, like in this shot where the sea mist created a haze that softened the […]

Continue Reading

How to Eliminate Layer Masking Halos in Photoshop

How to Eliminate Layer Masking Halos in Photoshop

Have you ever noticed halos appearing around objects in your photos when blending exposures or masking an adjustment in Photoshop? Like in this example… I’ve exaggerated the effect to make it easier to see. It’s the result of painting over the lines in your layer mask. Let’s say you’ve added a curves adjustment that darkens […]

Continue Reading

3 Techniques for Exposure Blending

3 Techniques for Exposure Blending

There are many ways to do things in Photoshop, which is great because it’s so flexible. But not all are created equal. Sometimes, the simpler and quicker way will work just as well as a more complicated alternative. But a lot of the time you might just need to go all-in if you want to […]

Continue Reading

Exposure Blending: 7 Critical Mistakes to Avoid

Exposure Blending: 7 Critical Mistakes to Avoid

This article comes from Steve Arnold, creator of the Luminosity Masking Panel (currently 50% off) which promises to make sure you never fall foul of these exposure blending issues, and guarantees you a natural and realistic looking end result every single time. When blending bracketed exposures in my landscapes, I like everything to look as […]

Continue Reading

How to Create a Luminosity Mask in Photoshop

How to Create a Luminosity Mask in Photoshop

In this article, let’s look at HOW you can actually create your first luminosity mask for yourself… You can run through these steps on your own shot, try to pick a shot that’s kinda similar for the purpose of this demo – i.e. a bright sky with a dark foreground. First step, open up the […]

Continue Reading

Luminosity Masking: When and Why Photographers Use It

Luminosity Masking: When and Why Photographers Use It

Let’s start out with a general overview before we get into the REALLY interesting technical stuff. Luminosity masking is a layer masking technique that gives you extremely precise levels of control over the individual adjustments you make to an image. If you’re already familiar with layers and layer masks in Photoshop, then you may think […]

Continue Reading

Sky Swapping Tips in Photoshop

Sky Swapping Tips in Photoshop

Have you ever tried replacing a sky in Photoshop? It’s great practice for honing your skills, learning how to edit and adjust light and color in your landscapes. It’s also a great way to transform dull and boring shots into something much nicer to look at, as long as you don’t mind being a little […]

Continue Reading

5 Ways to Dissolve Your Photoshop Block

5 Ways to Dissolve Your Photoshop Block

Have you felt this before? You open up a new pic in Photoshop for the first time, excited to start transforming it into something special. To re-create the beauty of what you saw at the time you captured it. And to turn the flat and dull RAW file your camera gave you into something less […]

Continue Reading