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Winter shooting can be tricky as majority of the landscape is white and the background is bright. When shooting a snow filled area, the brightness of the snow may often cause your digital camera to somewhat underexpose the scene, thus making the snow to look gray. To correct this, you might have to increase your exposure compensation so the whiteness of the snow can be appropriately captured.
The term “white balance” originates from the world of video imaging where a device (waveform monitor) was used to match or “balance” the signals from the camera’s red, green, and blue channels to make accurate whites under various lighting conditions, thus balancing your white.
If there is one occasion that everyone wants to celebrate with photographs, it is their wedding. It is an occasion that every one wants a degree of professionalism, and many people want to ensure quality. Therefore there are many opportunities for a photographer to make money, if they are willing to cover weddings.
When dark clouds roll into the sky most photographers run for shelter, but the ones who stay out and brave the weather can sometimes capture the most amazing photos. Bad weather can give photographers a chance to capture rain photos, snow photos, or even lightning photos. In the world of photography the rarer and harder to capture photos tend to sell for a higher price; so there is a potentially large market for bad weather conditions if you are a photographer.
This is probably the hardest part of taking night time images. How do we calculate the proper exposure? Color temperature varies when working with artificial light, so different exposure times are necessary. It’s best to bracket your shots to get the perfect result. Don’t be afraid to use plenty of film to get the perfect result.
Through many photography trips I gradually developed a strategy for traveling lightly and conveniently with a sufficient amount of camera equipment. On long trips I typically take along two cameras; one digital SLR (Single Lens Reflex) camera and one small digital point-and-shoot camera. For the SLR camera I take two lenses; one midrange telephoto lens (70-200 mm) and one fixed wide angle lens (24 mm).
RAW files are created by your camera in a proprietary format, unique to each camera manufacturer. They can even be unique to the specific camera model you are using. These files are compressed by using a lossyless system. This means that little or no information is lost during the act of compression.
When using a digital camera to take action photos you will notice that there is a delay between the time you press the shutter button to the time the camera actually takes the photo. In most cases this delay is small enough and not noticeable but when taking action photos, when trying to capture an event that just happened or when trying to capture a moving object this delay can result in a photo that just missed the action.
In photography, a silhouette is defined as an outline that appears dark against a light background. More specifically, it is where your subject is seen as a black shape without detail against a brighter background. This is an artistic outcome that many photographers like to perfect.
Softening and diffusion can be done effectively and professionally but it’s not as easy as it used to be when you’d just pick the filter you wanted and pop it over the lens. Your old on-camera lens filters will often turn your digital images to “mush” or images of weak contrast that may or may not be salvageable.
